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Architecture Design at The Future

September 23, 2009 , Posted by byu at 9:25 AM

Seperti apa desain arsitektur untuk masa depan? Perkembangan perkotaan yang semakin semrawut membuat para arsitek dunia mulai memikirkan untuk menciptakan bangunan-bangunan yang mampu mengatasi keterbatasan ruang, sumber energi, sumber makanan dan air bersih, dan juga kebutuhan masyarakat kota akan tempat beristirahat dan rekreasi yang nyaman.

1. Songjiang Hotel: Paradise in a Water-Filled Quarry

The Songjiang Hotel didesain oleh Atkins Design, menggunakan suatu daerah bekas galian indah yang berisi air di distrik Songjiang tepat di pinggiran Shanghai, China. Desain inovatif ini dilengkapi dengan atap yang hijau, energi geotermal, dan ruangan di bawah air termasuk restoran dan kamar-kamar untuk tamu. Daerah galian ini menyediakan setting ideal untuk olahraga dan berlibur termasuk berenang, olahraga air, panajt tebing, dan bungee jumping.

 Pada awalnya bangunan ini dijadualkan selesai pada pertengahan tahun 2009, tapi hingga saat ini masih berwujud konsep belaka. (Sumber)

Engilsh : The Songjiang Hotel will be a five-star resort hotel set within a beautiful water-filled quarry close to Shanghai in China, and is expected to be completed by May, 2009. The Shangaiist says, "Atkins has won an international competition to design a five-star resort hotel set within a beautiful water-filled quarry in the Songjiang district close to Shanghai in China. Its stunning concept designs inspired by the natural water and landscape features of the quarry captured the imagination of judges to quash competition from two other international firms.

The innovative design of the 400-bed resort hotel stands two levels higher than the rock face of the 100 metre deep quarry and includes underwater public areas and guestrooms. It will incorporate conference facilities for up to 1,000 people, a banqueting centre, restaurants, cafés and sports facilities. Sustainability is integral to the design ranging from using green roofing for the structures above the ground level to geothermal energy extraction."

e-architect writes "An aquatic theme runs through the design both visually and functionally. Curved wings of the main body of the guestrooms enclose a naturally lit internal atrium, which uses the existing rock face with its waterfalls and green vegetation. This will be overlooked by guestroom balconies and contain restaurants and cafés at the base. Two underwater levels will house a restaurant and guestrooms facing a ten-metre deep aquarium. The lowest level of the hotel will contain a leisure complex with a swimming pool and water-based sports. An extreme sports centre for activities such as rock climbing and bungee jumping will be cantilevered over the quarry and accessed by special lifts from the water level of the hotel."

2. Dragonfly, Ladang Metabolis untuk Pertanian Kota

Desainernya Vicent Vallebaut membuat desain luar biasa ini untuk mensinergikan sumber makanan, pemukiman, dan sumber energi di masa depan. Dragonfly (capung) merupakan konsep pertanian kota sebagai model untuk New York City’s Roosevelt Island dan meniru desain sayap capung dan didesain untuk menyediakan sumber makanan lokal yang segar dalam lingkungan kota.

 Buah-buahan, sayuran, ternak, dan sumber susu diproduksi di atas 132 lantai Dragonfly. Seluruh strukturnya akan ditenagai dari kombinasi energi matahari dan angin. (Sumber)



The world of fast-food and frozen food is over! The urban keen interest of the beginning of our Century turns toward the garden flat bringing back the countryside in our overcrowded cities fighting from now on for a community urban agriculture able to contribute to the durability of the city and to rethink the food production.

On the roofs, terraces, balconies, in the hollow of the non-built public spaces, in the interior yards and the suspended greenhouses, the eco-warrior aspires to escape from its competitive and consumeristic universe imposed by the laws of the market. He desires to cultivate its immediate landscape so as to better take root in the ground by creating his own ecologic and alimentary biodiversity. The consumer becomes from then on producer and the garden inhabitant !

From the Parisian « worker gardens » to the « community gardens » of New York going though Muscovite « vegetable squares », eight hundred million of urban farmers, i.e. more than one human being out of ten, consume nowadays chlorophyllous products from these cosmopolitan kitchen gardens. These new gardens, aware of the emergency to reduce our fuel consumption and the necessity to modify our behaviour facing the climatic changes, decrease thus their environmental impact and build eco-responsible cities on a community way.


According to the PNUD (Programme of the United Nations for the Development), the worldwide urban population will go from 3.1 billion of inhabitants in 2009 up to 5.5 billion of inhabitants within 2025. Looking for a positive energetic assessment, the contemporary city aims within fifteen years at producing cleanly and intensively more energy than it consumes so as to pack this urban exodus! It develops therefore the urban agriculture to become food self-sufficient by recycling at the same time its liquid waste by phyto-purification, its solid waste in fertilizers by composting and by producing energy by biomass, photovoltaic cells and other renewable energies (thermic solar, photovoltaic solar, wind, tide-turbine energies…).

In order to avoid the asphixiation of the planet and the feeding of its 9 billion of inhabitants within 2050, it deals thus with reinventing the traditional energetic pattern between the city and the countryside between western countries, emerging countries and developing countries. This sums up as following: on the one hand import of natural and food resources, and on the other hand export of waste and pollution. The ecologic city aims at reintegrating the farming function on the urban scale by emphasizing the role of the urban agriculture in the use and the reuse of natural resources and biodegradable waste so as to close the loop of ecologic flows.

The urban agriculture can feed the city without any pesticide or chemical fungicide (whose toxicity is proved on the human being : cancer, sterility…), and make it less food dependant of its backcountry or other regions of the world. Organising the distribution of fresh products in short circuits, that means linked directly with the consumer, the urban agriculture complete thus the traditional agriculture. In addition to the nutritive quality of the produced and consumed food, the urban agriculture is also a growth lever of the urban unemployment market and the local economy. It is used directly as a social link in the conciliation of the primary needs of the newcomers with the challenge of their integration in the life of the city, fighting thus against poverty and exclusion. On the sanitary level, this farm approach presents also an interesting potential for the decontamination of polluted grounds and undergrounds as well as for he purification of the polluted atmosphere in CO2.

Due to the fuel crisis and climatical change, the rural agriculture of the western countries must answer to the worldwide food crisis of the developing countries and mainly Africa. Its role is from now on to produce (with an increase estimated of 60% within 2050) all the foodstuffs transportable by boat such as cereals or corn. This is based on the evolution of the science and the most advanced biotechnologies. In addition to this nutritious role, the rural agriculture is newly challenged to recycle its own culture rebus for the green chemistry in order to produce the bio fuel called “second generation fuel” using the energy of non-consumable materials from the plants, that means fibres such as celluloses.


The architecture has to be in the service of this new agriculture and to design this new social desire in this context of ecologic mutation and food autonomy! The Dragonfly project suggests therefore building a prototype of urban farm offering around a mixed programme of housing, offices and laboratories in ecological engineering, farming spaces which are vertically laid out in several floors and partly cultivated by its own inhabitants. This vertical farm sets up all the sustainable applications in organic agriculture based on the intensive production varied according to the rhythm of the seasons. This nourishing agriculture is furthermore in favour of the reuse of biodegradable waste and the keeping of energy and renewable resources for a planning of ecosystemic densification.

In order to conceptualize this project and give our point of view in the ecological and social crisis debates, Dragonfly sets up along the East River at the South edge of the Rooselvelt Island in New York between Manattan’s Island and the Queens’ district. So as to face the landed pressure, Dragonfly stretches itself vertically under the shape of a bionic tower relocating a new urban biotope for the fauna and the local flora and recreating a food production auto-managed by the inhabitants in the heart of Big Apple.

Floor by floor, the tower superposes not only stock farming ensuring the production of meat, milk, poultry and eggs but also farming grounds, true biological reactors continuously regenerated with organic humus. It diversifies the cultivated varieties to avoid the washing of stratums of soft substratum. Thus, the cultures succeed one another vertically according to their agronomical ability to provide some elements of the ground between the essences that are sowed and harvested. The tower, true living organism, becomes thus metabolic and self-sufficient in water, energy, and bio-fertilizing. Nothing is lost; everything is recyclable to a continuous auto-feeding!


The architecture of Dragonfly prototype suggests reinventing the vertical building (that outlined the urbanistic booming of New York City since the 19th Century) as structurally and functionally as ecologically and energetically.

To ensure the social diversity and a permanent life cycle (24h/24) in the tower, the mixed programmation is mainly laid out around two poles of housing and work places. Around housings, offices and research laboratories as well as the most private to the most public agricultural and leisure spaces are designed in gardens, kitchen gardens, orchards, meadows, rice fields, farms and suspended fields. The distribution of flows is made around a true safe spine spreading in loop the numerous elevators, the goods elevators and stair wells serving all the levels by separating simultaneously the inputs and the outputs recycled from plants, animals and human beings.

Architecturally, the functional organisation is represented by two oblong towers symetrically arranged in pair around a huge climatic greenhouse that links them and deploys itself between two crystalline wings. These very light wings in glass and steel retake the loads of the building and are directly inspired from the structure of the dragonfly wings coming from the family of “Odonata Anisoptera” whose transparent membrane is very finely nervured. Two inhabited rings buttress around these wings. Their organically chiselled exo-structure accommodates the inter-climatic spaces that receive the agrarian cultures. They buttress.

The whole set forms «double layer» architecture in bee nest mesh that exploits the solar passive energy at its maximum level, by accumulating the warm air in the winter in the thickness of the exo-structure, and by cooling the atmosphere by natural ventilation and by evapo-perpiration of the plants in the summer. Protecting thus the cultures from climatic changes in New York (from -25.5°C in the winter to +41°C in the summer), these plug spaces are useful to reflect on the agriculture not anymore in terms of surface area but really in terms of volume. Actually, whereas grounds nourish orchards, each wall and each ceiling are metamorphosed into three-dimensional kitchen gardens. The interior frontages of the housing and offices throw towards the skyline of New York the cantilever of their hydrophonic balconies with hexagonal section thanks to what it multiplies the culture layers by floors. The vegetation abounds, the earth is swarming of insects and animals are freely brought up in holding tanks by urban consumers with low income. The architecture becomes eatable !

In addition to this thermal called « passive » system, the integration of renewable energies has been thought from the design of Dragonfly to meet the needs of a completely energetically self-sufficient project in urban centre. Actually, the South prow of the tower receives in all the heights of its curve a solar shield producing half of the electric energy needed for its functioning. The other half is ensured by the three wind machines with vertical axes of Darrieus type that coils itself up in the three lenses hollowed in the North part of the micro-pearled shell towards dominated wind of New York. The exterior façades of the tower present a double personality. Actually, in the West of the Island near Manhattan, the façades are treated in planted walls, whereas in the East near the Queens’ district, the wet exterior walls are cultivated with tropical essences. These vertical gardens enable to filter the rain water and the effluents of domestic liquid waste of the tower inhabitants. The collected waters undergo an appropriate organic treatment for the farming reuse, bringing all the nitrogen and an important part of phosphor as well as potassium needed for the production of fruits, vegetables and cereals.

Outlining the bank of the Roosevelt Island, the tower widens at each side of its basis to better integrate the flows that cross it and to welcome two marinas along the East River. This widening out forms two huge photovoltaic vaults such as a solar dress floating above these two urban harbours: on the western marina side, the wooden pontoons of the taxi boats open panoramically on the Midtown bank and on the eastern marina side, the floating market oriented towards the Queens’ district is designed to distribute through the river the food production of this vertical farm to the heart of Manhattan and to its million and a half of city slickers. Moreover, these two marinas accommodate two huge aquaculture ponds, true tank of soft water filtered by the planted frontages and dedicated to be reinjected in the hydroponic network of the Dragonfly tower.

According to the evolution of the urban agriculture enhanced by the FAO (Food and Agriculture Organization of the United Nations) that has been realising since 2007 that the organic agriculture on a large scale would be able to nourish the planet, the Dragonfly project challenges the city of New York to rethink its food production. In response, this project of inhabited vertical farm replies to the contemporary dilemma of producing not only ecologically but also more intensively on non-extensive earth. This by merging also directly production place and consumption place in the heart of the city! 

3. The Venus Project: Menuju Peradaban Global yang Berkesinambungan

 Untuk bertahan dari pemanasan global, populasi manusia yang terus tumbuh, dan tantangan-tantangan lainnya di masa depan, ada yang percaya bahwa kita harus memulainya dari sketsa dengan model baru peradaban manusia yang mengarahkan teknologi kita dan sumber daya yang ada pada arah yang positif, untuk kemakmuran manusia dan planet bumi.

The Venus Project adalah sebuah visi untuk suatu peradaban dunia baru dan mendesain ulang seluruh kebudayaan kita.

 Kota-kota yang bersirkulasi, dengan ladang-ladang pertanian di dalamnya dan juga public transit, selaras dengan kota-kota laut yang mampu mengakomodasi jutaan manusia, hanyalah merupakan bagian dari ide revolusioner yang kompleks ini. (Sumber)

 More in English :
The Venus Project is an organization that proposes a feasible plan of action for social change, one that works towards a peaceful and sustainable global civilization. It outlines an alternative to strive toward where human rights are no longer paper proclamations but a way of life.

We operate out of a 21.5-acre Research Center located in Venus, Florida.

When one considers the enormity of the challenges facing society today, we can safely conclude that the time is long overdue for us to reexamine our values, and to reflect upon and evaluate some of the underlying issues and assumptions we have as a society. This self-analysis calls into question the very nature of what it means to be human, what it means to be a member of a "civilization," and what choices we can make today to ensure a prosperous future for all the world's people.

At present we are left with very few alternatives. The answers of yesterday are no longer relevant. Either we continue as we have been with our outmoded social customs and habits of thought, in which case our future will be threatened, or we can apply a more appropriate set of values that are relevant to an emergent society.

Experience tells us that human behavior can be modified, either toward constructive or destructive activity. This is what The Venus Project is all about - directing our technology and resources toward the positive, for the maximum benefit of people and planet and seeking out new ways of thinking and living that emphasize and celebrate the vast potential of the human spirit. We have the tools at hand to design - and build - a future that is worthy of the human potential. The Venus Project presents a bold, new direction for humanity that entails nothing less than the total redesign of our culture. What follows is not an attempt to predict what will be done - only what could be done. The responsibility for our future is in our hands, and depends on the decisions that we make today. The greatest resource that is available today is our own ingenuity.

While social reformers and think tanks formulate strategies that treat only superficial symptoms, without touching the basic social operation, The Venus Project approaches these problems somewhat differently. We feel we cannot eliminate these problems within the framework of the present political and monetary establishment. It would take too many years to accomplish any significant change. Most likely they would be watered down and thinned out to such an extent that the changes would be indistinguishable

The Venus Project advocates an alternative vision for a sustainable new world civilization unlike any social system that has gone before. Although this description is highly condensed, it is based upon years of study and experimental research by many, many people from many scientific disciplines.

The Venus Project proposes a fresh approach--one that is dedicated to human and environmental concerns. It is an attainable vision of a bright and better future, one that is appropriate to the times in which we live, and both practical and feasible for a positive future for all the world's people.

The Venus Project calls for a straightforward approach to the redesign of a culture, in which the age-old inadequacies of war, poverty, hunger, debt, environmental degradation and unnecessary human suffering are viewed not only as avoidable, but totally unacceptable.

One of the basic premises of The Venus Project is that we work towards having all of the Earth's resources as the common heritage of all the world's people. Anything less will simply result in a continuation of the same catalog of problems inherent in the present system.

Throughout history, change has been slow. Successive groups of incompetent leaders have replaced those that preceded them, but the underlying social and economic problems remain because the basic value systems have gone unaltered. The problems we are faced with today cannot be solved politically or financially because they are highly technical in nature. There may not even be enough money available to pay for the required changes, but there are more than enough resources. This is why The Venus Project advocates the transition from a monetary-based society to the eventual realization of a resource-based global economy.

We realize to make the transition from our present culture, which is politically incompetent, scarcity-oriented and obsolete, to this new, more humane society will require a quantum leap in both thought and action.

An Obsolete Monetary System

The money-based system evolved centuries ago. All of the world's economic systems - socialism, communism, fascism, and even the vaunted free enterprise system - perpetuate social stratification, elitism, nationalism, and racism, primarily based on economic disparity. As long as a social system uses money or barter, people and nations will seek to maintain the economic competitive edge or, if they cannot do so by means of commerce they will by military intervention. We still utilize these same outmoded methods.

Our current monetary system is not capable of providing a high standard of living for everyone, nor can it ensure the protection of the environment because the major motive is profit. Strategies such as downsizing and toxic dumping increase the profit margin. With the advent of automation, cybernation, artificial intelligence and out sourcing, there will be an ever-increasing replacement of people by machines. As a result, fewer people will be able to purchase goods and services even though our capability to produce an abundance will continue to exist.

Our present, outmoded political and economic systems are unable to apply the real benefits of today's innovative technology to achieve the greatest good for all people, and to overcome the inequities imposed upon so many. Our technology is racing forward yet our social designs have remained relatively static. In other words cultural change has not kept pace with technological change. We now have the means to produce goods and services in abundance for everyone.

Unfortunately, today science and technology have been diverted from achieving the greatest good for reasons of self-interest and monetary gain through planned obsolescence sometimes referred to as the conscious withdrawal of efficiency. For example, the U. S. Department of Agriculture, whose function is presumed to be conducting research into ways of achieving higher crop yields per acre, actually pays farmers not to produce at full-capacity. The monetary system tends to hold back the application of these methods that we know would best serve the interests of people and the environment.

In a monetary system purchasing power is not related to our capacity to produce goods and services. For example, during a depression, there are computers and DVD's on store shelves and automobiles in car lots, but most people do not have the purchasing power to buy them. The earth is still the same place; it is just the rules of the game that are obsolete and create strife, deprivation and unnecessary human suffering.

A monetary system developed years ago as a device to control human behavior in an environment with limited resources. Today money is used to regulate the economy not for the benefit of the general populace, but for those who control the financial wealth of nations.

Resource Based Economy

All social systems, regardless of political philosophy, religious beliefs, or social customs, ultimately depend upon natural resources, i.e. clean air and water, arable land and the necessary technology and personnel to maintain a high standard of living.

Simply stated, a resource-based economy utilizes existing resources rather than money and provides an equitable method of distributing these resources in the most efficient manner for the entire population. It is a system in which all goods and services are available without the use of money, credits, barter, or any other form of debt or servitude

Earth is abundant with plentiful resources; today our practice of rationing resources through monetary methods is irrelevant and counter productive to our survival. Modern society has access to highly advanced technologies and can make available food, clothing, housing, medical care, a relevant educational system, and develop a limitless supply of renewable, non-contaminating energy such as geothermal, solar, wind, tidal, etc. It is now possible to have everyone enjoy a very high standard of living with all of the amenities that a prosperous civilization can provide. This can be accomplished through the intelligent and humane application of science and technology.

To better understand the meaning of a resource-based economy consider this: if all the money in the world were destroyed, as long as topsoil, factories, and other resources were left intact, we could build anything we choose to build and fulfill any human need. It is not money that people need; rather, it is free access to the necessities of life. In a resource-based economy , money would be irrelevant. All that would be required are the resources and the manufacturing and distribution of the products.

When education and resources are made available to all people without a price tag, there would be no limit to the human potential. Although this is difficult to imagine, even the wealthiest person today would be far better off in a resource based society as proposed by The Venus Project. Today the middle classes live better than kings of times past. In a resource based economy everyone would live better than the wealthiest of today.

In such a society, the measure of success would be based on the fulfillment of one's individual pursuits rather than the acquisition of wealth, property and power.

The Choice Is Ours To Make

Human behavior is subject to the same laws as any other natural phenomenon. Our customs, behaviors, and values are byproducts of our culture. No one is born with greed, prejudice, bigotry, patriotism and hatred; these are all learned behavior patterns. If the environment is unaltered, similar behavior will reoccur.

Today, much of the technology needed to bring about a global Resource-Based Economy exists. If we choose to conform to the limitations of our present monetary-based economy, then it is likely that we will continue to live with its inevitable results: war, poverty, hunger, deprivation, crime, ignorance, stress, fear, and inequity. On the other hand, if we embrace the concept of a global resource-based economy , learn more about it, and share our understanding with our friends, this will help humanity evolve out of its present state.

4. Origami, Tinggal di Apartemen Indoor/Outdoor Tanpa Kelim (Seamless)

 Dengan membuat bangunan apartemen yang seluruhnya vertikal, kita dapat mengatasi keterbatasan ruang kota dan menyediakan taman hijau yang subur untuk tiap penghuninya.

Origami, didesain oleh Kann Finch untuk Meydan City di Dubai, akan memberikan tiap apartemen kualitas terbuka yang menambah area tinggal internal menjadi balkon-balkon yang luas dengan dinding-dinding jendela yang bisa diangkat ke atas.

Layar solid/kaca berpola turut memberikan kesan visual yang menarik dari luar dan memberikan perlindungan serta privasi bagi penghuninya. (Sumber)


 More in English :
This proposition reconsiders the stereotypical residential tower, in pursuit of a unique structuring of a new language, that the vertical organization of apartment living might allow.

The formal constraints that the site demands are eroded to realize a rich expression of three dimensional image, surface and livability. The fundamental elements of the colonnaded street edges with the podium base establish the urban continuity upon which sits the tower form in its street structure.

The landscaped through site link to this base provides for a connected vertical green intervention that informs the physical structuring of the tower, whilst providing a garden outlook to the apartments. The basic tower is eroded to an ‘H’ plan with a central core. The legs of the H connected at every fifth level, generate extensive roof gardens at interplay with the vertical landscape that brings a multifaceted greening to the apartment outlook as well as assisting in the moderation of the vertical microclimate.

The twenty-six levels of the tower with its roof amenity, locate a repetitive five level sense that are structured as: one floor of three, two bed units, two, two storey four bed units and two floors of two, three bed units. Each unit enjoys an open quality that extends internal living areas to extensive balconies with fully operable uplifting window walls that provide a seamless indoor / outdoor experience.

The vertical surface of the tower to the East and the West are layered with a rich patterned, solid / glass screen that not only develops a unique expression appropriate to location and culture but provides privacy to the immediate tower neighbors to those facades.

The tower is further eroded at its second to fifth levels and the twenty second and twenty third levels to allows the vertical landscape to enrich the ‘H’ structure via its multifaceted planting frames, the landscape expression is as though an organism that has invaded the tower and caused the formal erosion.

This multi layered formal proposition, offers a quality of vertical living that at once is generous, unique and delightful. Its simple structure supports a lifestyle and experience, that tower inhabitation does not normally provide, whilst enriching the urban streetscape with a sculptural interplay of form, surface and light for both its resident and extended community.

This is a major contribution to a fresh urban language that addresses the ‘greening’ of our cities with responsible and unique architecture.

5. Dinamis, Tower Tenaga Angin yang Berputar

 Arsitek asal Italia David Fischer mendesain Dynamic Tower Skyscraper yang tiap 80 lantainya akan berputar melalui perintah suara (voice).

 Fischer menginginkan desain ruang dimana Anda bisa menikmati matahari terbit dan tebenam dari ruang yang sama. Putarannya akan memakan waktu 3 jam dan ditenagai oleh panel-panel surya dan 79 turbin angin, dengan satu turbin yang ditempatkan di antara tiap lantai. Hampir seluruh strukturnya dibuat secara off-site. (Sumber)

Konstruksi ini direncanakan baru akan selesai pada akhir 2010. Lihat pula video demonya di bawah ini:

More in English :
Italian architect David Fisher is building his first skyscraper, the Dynamic Tower, and it happens to be one of the most ambitious construction plans since the Pyramid of Khufu. Every floor of the 80-story self-powered building rotates according to voice command, and nearly the entire structure of the $700 million building is pre-fabbed. I caught up with the architect in New York, and he blew my mind again and again.

Fisher was inspired to design the Dynamic Tower during a visit to a friend's top-floor Midtown Manhattan apartment. "I had a view of the Hudson River and East River at the same time, it was beautiful and I wanted to make that feeling accessible to more people." He loves the idea of seeing the sun rise and set in the same room, and considers the building to be four-dimensional. "Time is always changing the shape of the building," he told me.

The rotation takes up to 3 hours (so you're not always spilling your coffee), and gets power from photovoltaic solar cells and 79 wind turbines, one located between each floor. The system is meant to create enough energy to power to the entire tower and still have juice to spare for some surrounding buildings. According to Fisher, two of these $700 million futuristic scrapers are planned so far, one each in Dubai and Moscow. They will be built using a truly radical technique.

Construction on the Dynamic Tower will be unlike anything that preceded it. The only part of the tower built on site will be the skinny center core. It is strong enough to hold the floors in place, and will contain the building's elevators, which transport people and cars right to their door. Each floor will be made piece by piece in a factory in Italy—a throwback to Fisher's previous life in prefabricated bathroom design—and placed onto the core using a lift system. With this method, each story is completed in about six days. By comparison, traditional ground-up methods can take six weeks per floor.

Groundbreaking for Dynamic Towers in Dubai and Moscow is expected to happen in the fall, with construction reaching completion by the end of 2010. If you're game—and very, very loaded—you can sign up now for a villa or office space. The going rate is $3000/sq foot.



 6. Sky-Terra Skyscrapers: Rekreasi di Langit Kota

 Saat kota-kota menjadi lebih semrawut, ruang hijau menjadi sangat penting. Salah satu ide untuk menyediakan ruang rekreasi di lingkungan kota adalah hasil karya desainer asal San Fransisco Joanna Borek-Clement yaitu Sky-Terra Skycrapers.

Sky-Terra merupakan jaringan pencakar-pencakar langit yang berdiri di atas langit kota dengan taman-tamannya, ampitheater, kolam renang, dan fasilitas publik lainnya. Bagian pusat dari tiap strukturnya memiliki elevator-elevator sebagai alat transportasi menuju ke atas. (Sumber)

More in English :
Conceptualized by San Francisco-based designer Joanna Borek-Clement, the Sky-Terra skyscrapers is a neuron-like network of interconnected towers, designed to address the ever growing need for green urban space. This structure floats over the congested city and includes public parks, amphitheaters, fields, and public pools and bathhouses. The ‘Sky-Terra skyscrapers’ was among many of the implausible entries in the 2009 eVolo Skyscraper competition. This superstructure has been designed with Tokyo in mind as the city is already congested. The towers can be as high as 1,600 ft and then, they expand out to reach the flat top plaza layer. Sky-Terra forms a new layer for the city high above city jams and pollution. It aims to offer green space for citizens to spend time outdoors and relax. The towers’ structures will be made from modular parts. Another sustainable element is the transportation system of interconnected foot paths and 4-foot wide streets meant for bikes or small electric cars. If it’s not a pathway, then it’s an open green space.

The inner core of each structure features an elevator system that transports people from the street level to the top. The Sky-Terra towers are indeed a nice concept for urban areas, but don’t you think it will make life really boring for those on the ground level?

 7. ‘My Dream, Our Vision’ oleh Design Act

 Sebuah rumah desain di Singapura menciptakan konsep ‘My Dream, Our Vision’ di acara the World Expo 2010 Singapore Pavilion Competition.

Konsep ini menggunakan kubus-kubus yang dipermutasi untuk menciptakan bangunan berbentuk piksel-piksel seperti "awan digital" di atas taman rumput yang hijau. (Sumber)

 More in English :
Singapore based design firm, Design Act designed this entry into the World Expo 2010 Singapore Pavilion competition called ‘My Dream, Our Vision’. Selected as one of the finalists, alongside the likes of Ministry of Design, their submission attempts to take a much more conceptual approach.

Kay Ngee Tan Architects and partners were awarded lead architect for their winning concept.
Titled ‘My Dream, Our Vision’, Design Act’s competition entry uses permutated cubes to generate a spectacular sculpture that is visually stunning and celebrative.

Synonymous with Singapore being efficient, dynamic, cosmopolitan, forward looking, simultaneously futuristic and traditional, the Singapore spirit:  serves as a key metaphor that relates to the entire spectrum of connotations, associating Singapore (xin jia bo, Singapore’s mandarin name) with being progressive, re-inventive and innovative.

The pavilion is made of an illuminated digital cloud hovering over an ever-changing green� pasture. It invites you to enter a dark underground space with audio feeds alluding to the background services which serve the city, and catapults you into the bright and white digital cloud, where you are encouraged to post your dreams. Made of 3866 cubes of modular sizes with varying levels of transparency, the pavilion is strategically sloped at the base to allow visitors to experience the ritual of making their dreams becoming a reality.

 8. No Man’s Land: Air Bersih, Energi yang Bersih, dan Kedamaian

Konsep No Man's Land dari kantor arsitek Phu Hoang New York memberikan solusi bagi kontrol air Bersih yang merupakan isu spesifik di Timur Tengah. Konsep ini juga menyediakan rekreasi, atraksi pariwisata, dan energi yang berksinambungan.

 Desain No Man's Land terdiri dari jaringan pulau-pulau, menciptakan kepulauan buatan yang mengekstrak molekul-molekul di udara untuk proses desalinisasi, menyediakan air bersih dari Laut Mati untuk minum. (Sumber)

 More in English :
In the Dead Sea region, control of water is a source of political friction and presents an ecological quandary that threatens the drinking supply for inhabitants. A research project from New York-based architect Phu Hoang Office seeks to address and solve these site specific issues with ‘No Man’s Land’, a series of artificial islands that would provide recreation, tourist attractions, renewable energy, and create fresh water.
The project was shortlisted in the Architectural Association’s Environmental Tectonics 2007 competition for its innovative approach to a complex issue. Showing how architecture can be part of multi-disciplinary solutions, ‘No Man’s Land’ tackles the environmental, political and humanitarian problems related to the procurement of fresh water for the region.
As a network of built islands with three distinct designs, ‘No Man’s Land’ would create an artificial archipaelago that employs a variety of building technology. In order to become a source of fresh water, the islands will extract water molecules from the air to be desalinated. Salinity gradient solar ponds, water purification tanks, and water filtering processes will all be integrated into the designated “water islands” of the chain. The other two island designs will be for tourists and solar energy production, providing self sufficient power as well as creating revenue.

 9. Pertanian Dystopian di Manhattan

Bentuknya seperti sarang serangga, proyek Dystopian Farming oleh Eric Vergne menggabungkan pertanian, perumahan pekerja, dan tempat belanja, mempertemukan para petani dengan kebutuhan perkotaan. Idenya adalah menolak rekayasa genetik dan proyeksi makanan. Menyediakan pengairan airoponic dan teknologi gizi dalam suatu lingkungan yang dikendalikan penuh oleh manusia sebagai sumber bahan makanan. (Sumber)

More in English :
In the Hudson Yard area of Manhattan, this urban high rise farm introduces inherently political opposing elements; farmers (producers) and New Yorkers (consumers) through farms, workers housing, and market places.  Through the mixing of politically opposing classes, social and cultural confrontations are generated within a high rise typology by introducing producers of biomass into the city, a place of historic biomass consumption.  In so doing, the high rise is re-defined not by efficiency, but rather through the use of surfaces to orchestrate the dynamic programmatic interactions and the multiplicity of spatial organization they suppose.  The essence of these social/political programmatic relationships is unclear. The spaces they create are lived not represented (or conceived).  One can only speculate on the range of lived relationships and oppositions that might form within and around this urban farm.  Through food production and consumption, this skyscraper sets up a fluctuation of varying densities and collections of people, bringing together different social and cultural groups, creating new and unforeseen urban experiences that form and dissipate within the flux of city life.  By defining programs, this tower does not seek to control and manipulate interaction between politically dynamic groups of farmers and consumers, but rather give a place for the acting out of a multiplicity of outcomes.  Program is merely a  given caricature not a dictated function.  The interior surfaces  do not prescribe function but merely hint at a potential.  It is up to the everyday users to define that outcome of the space they inhabit given the environment they inherit.

In this urban high rise farm, the romanticizing of modern food production or utopian garden city additions are rejected. Rather, if farming is truly able to provide adequately for a city, a dystopian stage of agricultural production which uses mans control over the growth process, must be accepted.  This project accepts genetic engineering, airoponic watering and nutrient technologies (a method of spraying plant roots with needed solutions), and controlled lighting and CO2 levels (to maximize plant growth and food production).  The tower takes into consideration the different stages of plant production; cloning, vegetative stage and flowering stage to maximize food production as much as possible.  In addition it is assumed that genetically engineered plants will be bread to maximize both the nutitianal value and production of the crops within the tower.  Genetic engineering is controversial but necessary if the tower is to accommodate Manhattan’s food production needs.  It is projected that multiple towers will be needed to meet manhattans food production needs.  Accordingly a new type of city dweller is created, the nomadic worker, who moves throughout the city tending its food production needs and resisting and reversing the suburbanization of Manhattan.

Looking at density (building height), value of land, underdevelopment in relation to deviation from the perfect market and relation to maximum zoning allowance, as well as existing urban markets throughout Manhattan, several optimum sites for urban farms were chosen. Given the planed high profile nature and the dramatic increase in density of the Hudson Yard area development,  it was chosen as the flagship of Manhattan urban farms.

This projects investigation draws on the material logic of plant mechanics.    The plant cells of ferns have  evolved bio-mechanical configurations which maximize strength while minimizing material.  Using these attributes, analogue models were created investigating a new structural system for high rise construction that allows for dynamic interior spaces.

Applying non-linear programmatic rules to the functions of an urban farm, this project investigates how self-organizing computation can be used to organize programmatic elements.  Each programmatic element was given a set of simple rules which encompassed its conceptual and contextual needs, resulting in a complex fluctuating system.  This system already had inherent political opposition; farmers and farms (producers) and New Yorkers and markets (consumers).  Accordingly, how the program organized itself within the computer always had inherent cultural and social dynamics.  The organization of the program, within a skyscraper, brought these politically charged programs into varying degrees of confrontation and organization.

Breaking down the structural mechanics of the spinal cord in to basic compression and tension members, an adaptive structure was created to support the  elevator core, which borrows its variability from roller coaster design.


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